Towards a single Learning Object Platform "Instantiation of a Candle" January 19, 2005 W. Curtiss Priest William Blake. 1757-1827 The Tiger TIGER, tiger, burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder and what art Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand and what dread feet? What the hammer? what the chain? In what furnace was thy brain? What the anvil? What dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And water'd heaven with their tears, Did He smile His work to see? Did He who made the lamb make thee? Tiger, tiger, burning bright In the forests of the night, What immortal hand or eye Dare frame thy fearful symmetry? One cannot think of burning without imagining how a flame evokes both good and evil in the world. It is by flame that we both warm many homes, and it is by flame, and electric generator that we cool many homes. It is by flame that most meat is roasted and it is by flame that many of us are able to see in the dark. Yes some receive electric power by the splitting of atoms but most of us receive power via the burning of wood, gas, oil, or coal. So, to instantiate a candle is to put the candle in its historic, present and future position as a source of light and warmth. And, as a source of light, the candle has meaning from "Bellbook and Candle" to emergency kits containing bandages, water and candles. So, the properties of a candle range from the eminating of light via the combustion of wax using a wick, to the myriad ways in which candles have infused themselves with the human race. Candles have mystical and religious properties. When some wish for grace from God, they enter a church and light a candle. Candle light not only lights the way, but, it provides the affirmation of our existence on this planet. The candle is also symbolic of fire that destroys. The candle, placed to close to drapes, passes combustion to the frail fibers. So, to conceive of "a candle" as a learning object, we must recognize the many ways in which "candleness" permeates (or permeated) the world around us. A chemist, alone, might simply focus on how the liquid paraffin is "wicked up" and how there is a steady-state way in which the burning candle, further liquifies the paraffin, thus providing further liquid for the wick to emit hydrocarbons to the air, and, how those hydrocarbons combine with oxygen in the air to produce a flame. However, "the candle" has many meanings and properties in our world that extend well past a simple form of combustion. We can, at least, divide these properties into 1.) The ways in which candles have spiritual significance, and, 2.) The ways in which the candle is one of many ways we produce either illumination or warmth. So, from an "object" perspective, we have a host of properties associated with the candle. And, as an "object" or "learning object" we now have two major properties to ascribe to the candle. Let's focus on the spiritual properties. When electricity fails, many turn to the candle as a backup, to illuminate the dark. So, at a very basic level, the candle is the object that turns dark into light. While some, awake, might sit in the dark, most of us have some, underlying fear of darkness -- perhaps out of a feeling of unseen vulnerability. In some situations dangerous creatures are repelled by light, so this fear is not without basis. So, any flame, via torch or candle, etc., has vast historical implications. Some might wander an ill-lit building or castle, guided only by the sparse light of the candle. And, today, if a movie wishes to evoke such sense of refuge, we will have a character holding a candleholder, candle, and whispering shadows on the walls about the character. The candle connotes only limited visibility, so we can see within a few feet of the candle, but, if darkness, there is always the dread of what might lie beyond the light of the candle. And a sudden gust of wind might extinguish the candle, thus raising apprehension about the wind. At another level, candles connote festivity. As candles can be scented we can create both a mood of light and fragrance. Such a mood might grace a party of gatherers or it might grace the bed of two lovers. The flame flickers with every movement, almost as if it is alive. Despite the modern use of electric bulbs, candles are sold in the billions. These candles speak to their users in ways that even a candle-like, flickering bulb cannot. We adorn birthday cakes with miniature candles and their number often speaks to the age of the recipient. We create candles that relight themselves, even when (apparently) blown out. So, such candles remind us of fireworks. And, the religious significance of candles pervades across religious belief and throughout the world. For a tuppence of contribution to a church, we may light one of many candles sitting to exude their light. The visitor finds peace in his/her soul in lighting the candle under the grace of God. The light that shines may help atol for past sins or may shine upon a religious event that mightily engages the participant. At the most elementary level, the candle has practical purposes. A candle may be used to keep a cheese fondue ready for dipping. Several dozen candles provides warmth and a way to remove the frost from cold hands. The soot of a candle is a means to blacken glass, so that traces can be later observed. The delicate flame can be used to indicate and measure air flow. The varying colors of the flame indicates the efficiency with which wax (oil) combines with ambient air, and building upon that knowledge, better oil burners are designed. *** So, to instantiate a candle means to take "object" "candle" and place it into its place vis a vis the purpose of a candle. And, as a candle has a myriad of purposes, we need only partially instantiate a candle, for the purpose at hand. So, we reach into the "world brain" of candleness and we extract that aspect of a candle, that, say, lights our way in walking down a dark corridor. So, the "property" of the candle is physical illuminiation. And, what "methods" do we ascribe to this property: 1. Ignition: the candle must be capable of ignition by, say, a match 2. Constance: the candle must be capable of providing a fairly constant light 3. Range: the candle must be capable of illuminating enough distance so that the act of walking is easily attained 4. Sympathy: the candle must provide light without harming the user either by its heat nor by any emitted poisons 5. Longevity: the candle must last, at least, for the length of the journey 6. Radiance: the frequency spectrum of the candle must be within our ability to witness illumance In summary, had we a fully defined candle as a 'learning object' -- not only would the learner be able to witness those properties that pertain to the current presence of the candle, but, the learner would be able to traverse "the candle" to its other uses and purposes. The result of such an ability is to introduce the learner to the wholeness of "the candle" as an entity that has a complex and rich history, thus, tying the learner's mind to the linkages that the candle represents. ------------------------------------------------------------------- Thu, 20 Jan 2005 18:14:24 -0500 In my essay [above] I generally address "properties" of "a candle." I then chose to instantiate (have a use or access to the candle) by calling on its property to "physicially illuminate" a physical space. I then describe various "methods" that pertain to the property, such as the method of "being lit." So, when you write and ask where is the object? I am quite confused. The candle as a learning object has the method "being lit" which the student understands in the context of its other methods and its other properties. Now. A "science standard" is not a property of the candle, it is a property of the student. Say the science standard is "concept awareness of illumination." The question is. Does this student, more specifically, have concept awareness of illuminations provided via properties of candles? Now. If I observe a student with a candle and if the student strikes a match (yet another object) and brings it in proximity of the wick, then the student will have demonstrated concept awareness of the "being lit" method of the "illumination" property of a candle. Say, now, I ask the student to bring the lit candle, quickly, across the room. If the student takes his/her hand and holds it to guard the flame from excessive wind, then the student has now demonstrated concept awareness of the "constance" method of the "illumination" property of a candle. In this case the student also demonstrates concept awareness of a cupped hand of the "baffle" method of the "aerodynamic" property of a partial cup (yet another, different object). So, you see the candle, itself, has no direct properties related to science standards. These standards relate to the candle as an object within a myriad of ways in which candle (as object) and learner (as object) interact. In our notion of affinity is a glimmer of how certain exterior objects tend to want to work together. In the case of the candle, a cup, or a shroud, general want to work together. In the context of providing steady light, they need each other. And, when we observe how well the student, as an object, has learned, we are really witnessing how well the student understands the natural affinities. And, when learning leads to invention, we are actually witnessing the birth of new affinities. And, at first, these are just technological affinities, i.e., the pieces work together. Now, for the invention to be an innovation, it is the steps beyond technological affinities, they are affinities with the ways in which people wish to conduct themselves. So, in summary, we need to also instantiate an object of pedagogy. That object has its own properties such as "suitability to a learning style" or "defining affinities among objects." The "portal" then becomes an instantiation of the pedagogy object. Sincerely, Curtiss